Madonna’s 65 best songs for her 65th birthday
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Producer Patrick Leonard likes to recount the story that Madonna wrote the lyrics to “Live To Tell” on a authorized pad whereas sitting on the ground of his front room. The demo vocal, recorded on an 8-track participant additionally in Leonard’s home, is the model used on the hit from 1986’s “True Blue” album.
It’s straightforward to neglect that together with the leonine dance strikes, savvy selling of sex and chameleonic maneuvers to stay related, Madonna was an knowledgeable songwriter possessed by innate scrappiness.

She’s amongst an elite few to have a hit in five distinct decades – together with 12 No. 1s on the Billboard Sizzling 100 – and people songs routinely set their very own agenda. Whether or not detouring into techno, Auto-Tuned pop, electro-coated nation, Latin or fashionable disco, Madonna was normally the one setting tendencies whereas others adopted.
On the event of her 65th birthday, we salute Madonna Louise Ciccone for her staggering catalog, which we will see commemorated on stage during her Celebration tour , and rank 65 of her finest songs.
65. ‘Bitch I’m Madonna,’ that includes Nicki Minaj (2015)
It doesn’t get extra meta than Madonna telling you how great it is to be Madonna. Launched throughout her gold tooth grills section – aka the interval round her “Insurgent Coronary heart” launch – Madonna and producer Diplo mould her her squeaky vocals to rubbery synths that pump alongside till Minaj swoops in to make clear for these not following alongside: “I am bossed up, I obtained ’em awestruck, it isn’t a toss-up, I am the winner.” She’s rapping about Madonna, after all.
64. ‘Finest Pal’ (2012)
Although it begins with an icy machine gun cadence, the lyrics quickly make it clear that this EDM-heavy observe from “MDNA” is a forlorn account about Madonna lacking the somebody who made her chuckle and wrote her poetry. However, she admits, whereas she yearns for the great occasions, “I don’t miss all of it.”
63. ‘Hanky Panky’ (1990)
Impressed by her function as Breathless Mahoney in “Dick Tracy,” Madonna turned to the dominant musical types of the movie’s Thirties setting – jazz and swing – and unveiled a slinky persona to match. Solely the Queen of Pop, unapologetic as ever, might promote the road “nothing like a very good spanky” with out sounding (too) ridiculous.
62. ‘Die One other Day’ (2002)
Stilted electronica made this removed from a exceptional James Bond theme – which we desire stirred with grandeur – however upon repeated listens, there’s something intriguing about its chilly construction.
61. ‘Celebration’ (2009)
Launched as considered one of two new tracks on her biggest hits album of the identical title, the buzzing membership thumper – polished by co-producer Paul Oakenfold – winks at her ‘80s pop hits with its unabashed name to occasion.
60. ‘Give it 2 Me’ (2008)
Immediately recognizable with the fingerprints of Pharrell Williams, who co-wrote and co-produced the observe, with jangles of West African percussion and a snaking cadence. The midsong “get silly” breakdown is repetitive and foolish, however may also bury in your mind.
![Pop singer Madonna performs with a male dancers during her "Girlie Show" concert at Wembly Stadium in London, England on Sept. 25, 1993. (AP Photo/Gill Allen) ORG XMIT: APHSL0015 [Via MerlinFTP Drop]](http://rssfeeds.usatoday.com/gcdn/presto/2022/10/18/USAT/32e02604-fc97-4c0c-bd23-90967b2df60c-XXX_AP9309250331_dcb.jpeg?width=300&height=380&fit=crop&format=pjpg&auto=webp)
59. ‘I Love New York’ (2005)
The album observe from “Confessions on a Dance Ground” is a lyrically slight valentine to the town that birthed her profession. “No different metropolis ever made me glad besides New York,” Madonna sings (take that, Randy Newman) as she paints the town as a spot the place solely the strong-willed survive. Others can, pointedly, “get off my avenue.”
58. ‘Erotica’ (1992)
Madonna’s taboo-breaking fifth album of the identical title blended pop with hip-hop, whereas the only married style with smut. Assuming the persona of a dominatrix, Madonna is bold and experimental as she wields lyrics about sadomasochism. A observe actually forward of its time.
57. ‘She’s Not Me’ (2008)
Protecting within the spirit of her “Arduous Sweet” album – some funk, some disco, some R&B – Madonna cavorts over a Stylish-inspired guitar riff and clip-clopping beat and reminds us you can mimic her coiffure, you may reproduce her outfits, however there is just one Madonna.
56. ‘Love Don’t Reside Right here Anymore’ (1984)
This cowl of the 1978 Rose Royce ballad was the anomaly alongside the synthesized pop on the remainder of the “Like a Virgin” album. Whereas by no means a success, the tune pushed Madonna to file with a reside orchestra for the primary time and the overwhelming state of affairs resulted in her emotional learn.
55. ‘Gambler’ (1985)
Successful in a number of nations – however not the U.S. as a result of it was by no means launched as a single – the companion to “Loopy For You” from the “Imaginative and prescient Quest” soundtrack is an upbeat chunk of younger Madonna angle. Followers typically lamented that the pressing dance observe – solely obtainable on the soundtrack – was a smash in ready. In December 2022, Madonna unlocked the song to streaming services.
54. ‘Insurgent Coronary heart’ (2015)
The title observe to her 13th album is impelled by acoustic guitars, strings and a full refrain that particulars her emotional stamina. The unfussy manufacturing spotlights Madonna’s autobiographical lyrics, which embody how she nonetheless can’t shake the voice of her father from chastising her non-conformist methods.
53. ‘Love Makes the World Go Spherical’ (1986)
Madonna debuted the cheerful tambourine-banger – her first songwriting collaboration with producer Patrick Leonard – at Reside Assist earlier than the observe landed because the optimistic nearer on “True Blue.”
52. ‘The Energy of Goodbye’ (1998)
Usually in contrast (for good cause) to “Frozen” for its sonic similarities, the electronica ballad finds Madonna singing concerning the power in letting go and classes discovered (“ache is a warning one thing is unsuitable”). The plaintive refrain mesmerizes with one of the vital nuanced vocals of her large catalog.
51. ‘Human Nature’ (1994)
Repeatedly whispering “Categorical your self, don’t repress your self” because the tune opens units the scene of this TLC-esque thumper. Madonna is clearly aggravated concerning the pushback of the earlier two years from her “Intercourse” e book, “Erotica” album and “Physique of Proof” movie, as she snarkily interjects, “Oops, I didn’t know I couldn’t discuss intercourse.”
50. ‘Burning Up’ (1983)
A splash of serrated guitar and propulsive beat don’t a celebrity make. However what this early single from Madonna’s self-titled debut spotlighted was the rare kind of sexual energy, magnetism and lyrical supply that collide to create an icon.

49. ‘Justify My Love’ (1990)
Frank, breathless and with a muscular, throbbing rhythm, the only from her “The Immaculate Assortment” anthology spellbinds as Madonna speak-sings her method via the sensual lyrics, written with Lenny Kravitz and Ingrid Chavez. Don’t lie. You already know you have been intrigued.
48. ‘Drowned World/Substitute for Love’ (1998)
The opening observe on her ‘Ray of Gentle” album signifies the life adjustments Madonna skilled within the previous couple of years – giving start to daughter Lourdes, starring in “Evita” and studying about Kabbalah amongst them – which she recounts over a slow-burn beat. Launched across the time she turned 40, the tune is clearly Madonna’s entry into middle-aged reflection.
47. ‘Medellin,’ that includes Maluma (2019)
Ignore the wacky Madame X persona Madonna created for her 14th album (known as, after all, “Madame X”) and focus as a substitute on the mellow pulse of the Latin-infused tune and the spice inserted by hunky Colombian singer Maluma. An atmospheric triumph that once more showcased Madonna’s genre-mashing wizardry.
46. ‘American Life’ (2003)
No, it isn’t a patriotic song, however one which sharply – each lyrically and audibly – exposes the vanity of American tradition (“I obtained a lawyer and a supervisor, an agent and a chef/Three nannies, an assistant, and a driver and a jet”). It isn’t Madonna’s most swish or tuneful providing – the beat is harsh and her rapping … nicely … yeah. However her level is salient.
45. ‘One other Suitcase in One other Corridor’ (1996)
The mellifluous sigh of a tune from Andrew Lloyd Webber and Tim Rice for “Evita” was initially recorded by Barbara Dickson in 1976 and prospers below Madonna’s upper-range vocals, that are backed primarily by quiet acoustic guitar and an irresistible sax solo.

44. ‘Sorry’ (2005)
She’s heard all of it earlier than, so don’t waste time with empty apologies. Then once more, if it means having to listen to this gem because it step by step builds to a disco-tastic gallop, please, preserve apologizing.
43. ‘All people’ (1983)
The tune that launched Madonna to the world. Is it exceptional? Hardly, contemplating the pedestrian beat, of-their-era tinny keyboards and trite lyrics about getting up and dancing. However, like “Burning Up,” Madonna exudes a girlish attract. Discuss an evolution.
42. ‘Deeper and Deeper’ (1992)
The second single from Madonna’s “Erotica” album finds her on acquainted terrain – a dance-house-pop-disco amalgamation flecked with references to “Vogue” and specks of flamenco guitars. It’s a fleeting second of lightness.
41. ‘4 Minutes,’ that includes Justin Timberlake and Timbaland (2008)
Again when Timberlake was cool, Madonna well enlisted him and producer Timbaland, who packed his trademark clipped beats, as the primary artists to be featured on considered one of her singles. The slick composition belies lyrics about saving the setting and different social ills.
40. ‘Cherish’ (1989)
Together with the title observe from “True Blue,” this is perhaps essentially the most harmless Madonna has ever sounded. And that sound – so candy, so perky, so open-hearted – is of a lady in love.
39. ‘Oh Father’ (1989)
It’s Madonna at her most weak as she struggles to just accept the lack of her mom (who died when Madonna was 5) and navigate her difficult relationship along with her father. Piano, strings and violin generate the feel, but it surely’s Madonna’s wounded vocals as she cautiously sings, “you may’t damage me now,” that pierce.
38. ‘Hollywood’ (2003)
Utilizing the stereotype of individuals coming to Hollywood looking for fame as a launch pad, Madonna brandishes cynicism, compressed vocals and a glossy veneer as her weapons to shatter illusions.
37. ‘Secret’ (1994)
With producer Dallas Austin (TLC, Gwen Stefani) on the helm, the “Bedtime Tales” observe edges from its acoustic guitar-based basis to an intoxicating R&B heartbeat. Madonna rides the groove effortlessly.
36. ‘Hung Up’ (2005)
How finest to craft a compelling disco-pop tune? Pattern ABBA. By using the instrumental vein of the Swedish pop royals’ “Gimme! Gimme! Gimme! (A Man After Midnight),” Madonna conjured a contemporary disco traditional. ABBA’s songwriters, Benny Andersson and Björn Ulvaeus, not often granted permission to make use of the band’s music. Clearly, they knew they’d a successful hand.
35. ‘Me Towards the Music’ with Britney Spears (2003)
Although technically a Spears single (from her “Within the Zone” album), the funky dance-pop collaboration is elevated by Madonna, considered one of many co-writers on the tune, who’s way more than a function. The pair commerce strains, Madonna handles the bridge (“Hey, Britney, you say you wanna lose management…”) and injects cool maturity.
34. ‘Fever’ (1992)
Suffice to say that Little Willie John, the R&B singer behind the unique 1956 model, and even Peggy Lee, who made it her signature tune, in all probability by no means envisioned “Fever” morphing right into a slinky dance observe – i.e., given the Madonna makeover.
33. ‘True Blue’ (1986)
With nods to doo-wop and Motown – Madonna did develop up close to Detroit – the song is a syncopated swish of joy. Impressed by her then-new marriage to Sean Penn, Madonna copped considered one of his favourite expressions about love for the title.
32. ‘Rain’ (1992)
In comparison with the sultrier choices on the “Erotica” album, this feathery R&B ballad leaped out due to its radio-friendly attraction. Madonna employs rain as a metaphor – washing away sorrow and ache to wipe the slate clear.
31. ‘Nothing Actually Issues’ (1999)
Whereas not as dynamic as a lot of the entire of her “Ray of Gentle” album, the sixth single from the discharge is famous not for its ambient electronica, however for Madonna’s realization that with motherhood comes change in perspective: “Now that I’m grown, every thing’s modified/I’ll by no means be the identical due to you.”
30. ‘Don’t Cry for Me Argentina’ (1996)
Debates will proceed about Madonna’s efficiency as Eva Perón within the movie model of “Evita.” However in relation to the unwrapping of the luxurious Lloyd Webber/Rice anthem in the course of the famed balcony scene, Madonna completely nails the centerpiece of the story with sensational restraint.
29. ‘Angel’ (1984)
A easy dollop of synthesizers nudge the third single from “Like a Virgin.” Madonna has mentioned the tune is about her perception in angels based mostly on her Catholic upbringing, however the lyrics additionally detour into romantic love (“I imagine that desires come true, ‘trigger you got here once I wished for you”).
28. ‘Inflicting a Commotion’ (1987)
Madonna told Rolling Stone that this contribution to the “Who’s That Lady” soundtrack was written out of frustration from her heated marriage to Sean Penn. She felt he was purposely distracting her, therefore the strong dance observe, “Inflicting a Commotion.”
27. ‘Stunning Stranger’ (1999)
Tapping into her affinity for psychedelic sounds, Madonna landed the lead single from the soundtrack to “Austin Powers: The Spy Who Shagged Me.” Dreamy vocals, drum loops and guitar results mesh into an enticing swirl.
26. ‘Gown You Up’ (1984)
The final single launched from the Nile Rodgers-produced “Like a Virgin” album bubbles with dance-pop froth. Madonna oozes allure as she girlishly flits via sly sexual innuendo with an omnipresent audible grin.
25. ‘I’ll Bear in mind’ (1994)
Proving (once more) that she was about greater than intercourse, Madonna tamed her post-“Erotica” picture for a contemplative ballad on the soundtrack to “With Honors.” Its lyrics, tender with gratefulness to those that helped her discover her method, and a vibrating keyboard background resound with sweetness.
24. ‘Who’s That Lady’ (1987)
Madonna pulled double obligation as each star of the film and chief of the soundtrack. This title observe flirts along with her affection for Latin pop, even presenting lyrics in English and Spanish, whereas sustaining an aura of mystique.
23. ‘Loopy for You’ (1985)
The first hit from the “Imaginative and prescient Quest” soundtrack was additionally Madonna’s first foray into grownup modern territory. Not solely did the promenade ballad ascend the charts – it was her second No. 1 on the Billboard Sizzling 100 – but additionally earned her first Grammy nomination (best female pop vocal performance, which she misplaced to Whitney Houston’s “Saving All My Love For You”).
22. ‘What it Feels Like for a Lady’ (2000)
A highlight on the “Music” album, its potent storytelling concerning the double requirements endured by ladies and forthright tackling of illusions of feminine inferiority aren’t new matters for Madonna. However framed by downy keyboards, the lyrics gently hammer.
21. ‘This Used to Be My Playground’ (1992)
Written throughout a break in her “Erotica” classes whereas additionally starring in “A League of Their Personal,” Madonna shifted from the stimulating matters of her album within the works to pure introspection. The pensive ballad digs into grief and nostalgia and can depart a handprint in your coronary heart.
20. ‘Reside to Inform’ (1986)
Written on a authorized pad on the ground of producer Patrick Leonard’s home, the tune took form when Madonna recorded a demo vocal on an 8-track participant in the home. It was so good and so emotionally fulfilling, that first take grew to become her first No. 1 on the grownup modern chart whereas residing on the soundtrack to “At Shut Vary” and on her “True Blue” album.
19. ‘Don’t Inform Me’ (2000)
The stuttering nation guitar that opens the tune is so distinctive to Madonna’s sound that even when the excessive hat and bass drum kick in, it’s nonetheless evident that she’s launched into a brand new musical journey. Lyrically, nevertheless, she stays defiant.
18. ‘Materials Lady’ (1994)
Whereas the tag “Materials Lady” doesn’t actually match Madonna anymore – did it ever? – the synth-pop tune with the spongy keyboards and lyrics about solely wanting males who might perceive her avarice is eternal.
17. ‘Frozen’ (1998)
Coating the tune with theatrical layers of synths – just like “Drowned World/Substitute for Love” – Madonna creates a cinematic setting to assist her spiky lyrics directed on the cold-hearted: “You’re so consumed with how a lot you get/you waste your time with hate and remorse.”
16. ‘Vacation’ (1983)
An brisk bop with the only real objective of selling leisure. What’s to not recognize?
15. ‘The place’s the Celebration?’ (1986)
The mix of unfiltered pleasure on the dance ground and a delicate warning to decelerate and benefit from the second finds Madonna having enjoyable, but additionally realizing, “I assume I’m one of many grownups, now I’ve to get the job completed.” Yeah, been there.
14. ‘You’ll See’ (1995)
The dramatic opening – castanets, plucked guitar and an ominous palpitation – hints at Madonna’s braveness as she prepares to methodically unleash one of her deepest statements on independence. Co-written with David Foster, the stately ballad is unwavering in its convictions.
13. ‘Fortunate Star’ (1983)
With a cascade of synth notes and a glistening melody, Madonna continued her introduction to the world. Sliding in a reference to the nursery rhyme “Star Gentle, Star Brilliant” means that Madonna – who, because the story goes, wrote the lyrics on a yellow authorized pad and created the music on a Casiotone keyboard – already had some intelligent concepts tucked away.
12. ‘La Isla Bonita’ (1986)
The primary Madonna observe stocked with Latin influences was initially offered as an instrumental demo to Michael Jackson by Patrick Leonard. “Quincy (Jones) known as me and mentioned, ‘I wish to do one thing like Sade for Michael,’” Leonard recounted to USA TODAY. Jackson rejected the tune, Madonna scooped it up, added lyrics and it grew to become her 11th High 5 hit on the Billboard Sizzling 100.
11. ‘Music’ (2000)
The title tune of her eighth studio album kicks off with a call to the dance floor (“Hey, Mr. DJ, put a file on…”). Over squiggles of guitar and a thick funk spine, Madonna smears her electronically manipulated vocals over a easy, common theme: Music makes the individuals come collectively.
10. ‘Borderline’ (1983)
The candy and salty synth-pop hit marked her first High 10 single within the U.S. Some say it hints at intercourse, but it surely’s actually simply twentysomething Madonna having to clarify to a lover that that is the most effective they’re going to get, so if that isn’t adequate, then simply get out of the best way.
9. ‘Like a Virgin’ (1984)
For her second album, Madonna needed to be daring. So why not roll around a gondola wearing a crucifix whereas singing about dropping your virginity? That must get some consideration. The breakout second in her profession got here wrapped in springy keyboards, high-pitched vocals and a refrain ceaselessly ingrained in pop historical past.
8. ‘Into the Groove’ (1985)
When Madonna sings “at evening, I lock the door so nobody else can see,” it normally implies one thing aside from dancing. But this infectious bauble, featured in Madonna’s movie debut, “Desperately Looking for Susan,” has no ulterior motive aside from to guarantee the wallflowers that it’s OK to really feel the beat.
7. ‘Like a Prayer’ (1989)
Regardless of the pearl-clutching response to its stigma-bashing video, Madonna’s boundary-breaking tune signified a directional shift with a extra grownup bent. Together with its liturgical-based lyrics, “Like a Prayer” is a hearty composition, with rock guitar and a gospel choir elevating her typical pop backdrop.
6. ‘Categorical Your self’ (1989)
Persevering with her march into maturity, Madonna preaches empowerment in a most relatable method over a bed of lightly funky electronic percussion. Acceptance and self-worth are the keys Madonna dangles, and moreover, who likes satin sheets, anyway?
5. ‘Take a Bow’ (1994)
The “Bedtime Tales” single stays her most elegant song. Co-written and produced by Babyface, it glides with strings and pillow-y keyboards. As Madonna says goodbye to a paramour who took her with no consideration, she expresses uncommon vulnerability when she sings, “How was I to know you’d break my coronary heart?”
4. ‘Ray of Gentle’ (1998)
A supernova of sound, the title observe from Madonna’s seventh album establishes her new sonic pursuits: electronica, techno-pop and trip-hop. The relentless adrenaline and skittering rhythm knitted into her first High 5 debut on the Billboard Sizzling 100 continues to be a bit of piece of heaven.
3. ‘Papa Don’t Preach’ (1986)
Neglect, for a second, concerning the hullabaloo that accompanied the song’s debut on MTV. Positive, the unwed pregnant teen of the lyrics was maintaining her child, however gasp, the disgrace of all of it. Madonna cannily managed to offend pro-abortion and anti-abortion advocates concurrently, all whereas strolling via a bouncy pop tune launched by a sweeping string part.
2. ‘Vogue’ (1990)
Has there been a non-novelty dance anthem that has endured as a cultural touchstone, dance move and simply fantastic song? With a melody as smooth as Madonna’s pantsuits, “Vogue” captivated. And that spoken phrase part reeling off names from Hollywood’s Golden Age (Greta Garbo, Marlon Brando, Marilyn Monroe)? Contemplating Beyoncé pays homage to it on “Break My Soul” greater than 30 years later speaks to its agelessness.
1. ‘Open Your Coronary heart’ (1986)
Thrumming with an undercurrent of want, Madonna’s fifth No. 1 single underscores her potential to stitch snippets of innuendo so mischievously into the material of her work that you simply typically don’t understand the true intention of a tune. Couple that with a blissful shuffle beat and frisky keyboards and the result’s a wonderful confection with chunk.
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